In your bag 716, Alex Corona
There is a bag, but this time no camera….where is the camera? Alex will reveal all, come and check it out.
Hey Bellamy I’m a returnee, I was bag number 455.
Since then I’ve completely changed my setup and even my style of shooting as I’m diving more into photography, especially film.
Olympus Infinity Stylus (aka the MJU), 35mm 3.5
In the year and a half that I’ve been into shooting I’ve owned a little over 30 cameras and this is by far my favorite. It’s just a perfect camera in my eyes. Compact with beautiful ergonomics, fits comfortably in any of my pants. The clam-shell on/off switch is ingenious, has zero lag starting up(or focusing) this thing is quick! Meters great and 135 format what more could you want. I have this camera on me 100% of the time.
Canon EOS M, 22mm 2.0
I had a love/hate relationship with this camera at first. Loved the build quality, the brilliant touch screen, the fact that it was mirror-less so I could adapt my legacy glass. I hated the autofocus, even after the firmware update it was still crap. Hated that Canon was still recycling the same 5 year old 18mp APS-C sensor.
I stopped using it for a while, then two weeks ago I flashed Magic Lantern onto it and it became a whole new beast. It’s insane the amount of stuff their firmware unlocks:
Raw video(the results are stunning, especially considering the stock codec sucks) Dual ISO(Effectively it now has 14EV, that’s D800 territory!)
Magic zoom(picture in picture manual focus aid, the canon version is rubbish)
Silent picture(takes a shot without the shutter going down)
Those are just a few of the MANY amazing features it unlocks!
Polaroid 330 and 104 Land Cameras
When I’m out and about these are what I use to photograph people.
In street photography I sometimes feel that we can get a bit greedy, we photography people who most of the time would not like to have their pictures taken. With instant film cameras it’s a way to give back. No one ever says “no” to being photograph with a Polaroid. I always give them the print so they can keep it, the joy on their faces is worth every cent. Especially with young kids, their mind suddenly explodes seeing a print instantly come out of a camera.
My bag is a Doc Martens’ messenger that I’ve had for over 10 years. It’s survived trips through the Californian mountains and the Mexican jungle. Aside from a little fading it’s still great, doesn’t even have a single tear!
Yongnuo 560 II speed-light, with a sync cable for the lands.
Expired Tri-X 400, I develop it in Caffenol. Fujicolor 200, I’m also using it with Caffenol in a method called “Hobo Color” which gives you semi colored results. The 120 T-max and selenium GE light meter is for when I bring my TLR with me.
Website/Tumblr Blog: http://streetsofriverside.net
Instagram(mainly just gear porn and random pics) @alexxxcorona
Thanks for sharing your bag with us again Alex. Very interesting to see how things have changed.
Keep them coming folks, we need more submissions, so get your bag on Japancamerahunter.com. Send me a hi resolution image of the bag (please make sure it is horizontal) and its contents, with some details about yourself and what you shoot. Oh and don’t forget your contact details (twitter, flickr, tumbler et al). Send the bag shots here. Please understand that there is a long wait now as there is a backlog of submissions. Not all make the cut, so make sure yours is funny/interesting/quirky. And please make sure the shot is of good quality, as the ones that are not do not go up.
I will never defend…pop punk.
Im very curious about ‘hobo colour’ caffenol developing
Here you go!
You might need to have facebook and join the group to see it.
Cliff notes you shoot C41 film, develop in caffenol then you don’t fix it. That’s right don’t fix it! Something funky happens and it doesn’t get ruined when exposed to light, after scanning you can fix it normally then get B/W results.
Fujicolor 200 with delta std 20 minutes works best, for some reason kodak gold sucks so best so stick to the fuji stuff of try something else cheap!
Interesting about the Eos M and magic lantern. I’ve seen so many Eos Ms on sale second hand for mega cheap here in California because they have such a bad rep. But, seeing as I have no digital camera at the moment, if magic lantern really improves things it might be worth a pickup at the low prices it’s selling for.
I got mine during the fireball sale Amazon/B&H had where it was $300 new with the 22mm. I wish I would have waited a bit because now you can get that kit plus the flash unit and the 18-55 STM IS for $350-400 new. For that price I think it’s finally worth it, sure it doesn’t have Olympus auto focusing or a Sony caliber sensor but bang for buck it’s the best deal out there.
If you don’t have a digital camera yet I’d recommend it, I use it for everything street/editorial/studio/snapshots etc…. The only nagging thing is that it’s missing a viewfinder, I have a LCD finder when I use it for video but for stills it’s overboard.
Many M owners are now using optical framing viewfinders. Unfortunately Canon didn’t add one on the recently announced Mark 2.